How to create the Sean John intro

Hear you can read all about how I created the Sean John intro.

Enjoy!

My mission was to create a Flash intro for Sean John’s website. A short and fast loading commercial for the web. It should brand Sean John, their clothing and attract visitors.

I got a number of photos with Sean John models and clothing and some Bad Boy Records songs. Sean John is a great client, totally agreeable for what I wanted to do and gave me artistic freedom. Do your thing! They had seen my earlier work and trusted me.

Planning & Storyboard
This is pretty weird some of you might say, I improvised the whole thing. No script, no storyboard, no planning. I just did it. Now this is probably not something to recommend. It is usually not even allowed by many clients. Projects tend to get better if you take time to plan them. Many clients are afraid to let go.

On the contrary, there is something special about following your feeling and instincts at the moment. To play. The coolest stuff I have done, comes from following an error or mistake. Following an interesting shadow on the wall or anything that passes your mind at the moment, can lead you to special places. We can call them rabbit holes. If you follow everything by the book, you will never go to Wonderland. Follow your feelings.

So… I skipped planning and continued with the most important part. The music.

Music
I didn’t like the songs. They where too slow for what I wanted to do. So the first thing I did was to start cutting up the music. Back then I was on a PC and used a software called Sound Forge. It was a bit messy because it didn’t support more than one layer. Today I use Mac OS X and Soundtrack Pro for music.

They had some audio recordings of Ghostface Killah from the Wu-Tang Clan talking enthusiastically about Sean John. Started cutting that up and made a small story around his words and lyrics from different Bad Boy songs. Found that I could edit them so that they would sing about my intro.

Ghostface: -Puff got something for em.
Voice: -Ey yo. Ladies and gentlemen. You can never imagine, what’s about to happen right now.
Rapper: -Yo, my intro is crazy, I’m on my J.O.B. and that’s why you hate on me. Here’s the update.
Another rapper: -What?
R’n'B singer: -Girl, I gotta do what I gotta do. Change my life. Make things right. Girl, I’m a bad boy!
Ghostface: -Sean John. It’s not just a label. It’s a lifestyle, man.

When the story was right, I made some parts slow and strange, added a sexy zipper sound before the R’n'B part, added clicks, blips, drops and h-h-huck ups, so that the music would be fun to animate. For the ending with Ghostface, I used a DJ software called
Traktor, which you can scratch with. Scratched Ghostface’s voice, so the ending tag-line would get a bit more interesting.

It didn’t sound good, right away. Created one version, then version 2, 3, 4, 5, 6, 7 and 8. It’s very easy to give up when it doesn’t sound right. You’ve got to continue tweaking and changing until you are satisfied. If it’s impossible, take a break. Sleep, next morning ideas will come to you with ease (compared to yesterday night).

Got the sound right and it was approved.

Production
The first thing I did was to have a look at the images I was going to use. Picked out the best ones and then picked the first image.

Ghostface Says

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Started of with the first image and was going to sync something to the Ghostface voice in the beginning of the intro. Adobe After Effects is a program used normally for video. In After Effects, you can convert audio to keyframes data, allowing you to change scale, position or anything you want really, to the wave curves of the sound. You can also export text and boxes to Flash (swf) as vector graphics with it’s export. Did this with a red square in position

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of the eyes, I just thought it looked cool.

Then I changed the brightness of the image in Flash, frame by frame manually. Synced to the music.

Storage Overview
In my first Sean John intro (this is actually intro number 2), I used a style made with “textile” cut-outs and dotted lines. I wanted to keep that style and make it more advanced. Maybe a map would look cool? A mix of maps and textile outlining?

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Googled for orienteering maps images.
Found a map that looked OK, started outlining and made it look like the picture below. When I had something that looked good, I started key-framing it and deleting parts of the graphics. When I had an animation complete, I reversed the keyframes. This is an animation technique I use very often. Have all the graphics ready, sort them up in different layers. Use as many as you need, no need to be cheap with layers – they are free.

Animate by deleting graphics and then reverse the keyframes when complete. Sync to the music, remove some of your keyframes, until it looks smooth. Then you can delete or change the graphics again, for the out transition.

This process can be very time consuming. Sometimes I do 3 seconds of good animation per day. At first it can be very frustrating when it doesn’t look or flow like you want it. That’s one of the keys to good animation, you need to continue tweaking until it looks good. I did way too much graphics for this sequence, had to delete and delete and delete in order to get it flowing like I wanted. Smooth.
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Sales Diagram
A small pause can be good to keep viewers attention. If you massively push on with graphics and animation, it will just be a big mess and you will seize to grab the attraction of the viewer. You need to show, what it is you want the viewer to see. Have them focused.

I made a diagram synced to the sounds of a toy pipe. Going upwards of course to show the good progress of Sean John sales.

Silk Shirt
This effect is made with masks and Graphic objects. I rarely use Movie Clip’s. Want to see everything that is happening in my timeline without having to export or test the movie. Keeping it simple, is something you will have lots of use for when you go back later to your project and need to fix something or export it as video.

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If you create several different copies of your image, then just change the brightness on the top one of them, add a mask to it with a Graphic object, you will get this effect. It’s pretty easy and how the possibility of looking more advanced than it is. You should try this sometime.

3D Transition

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In the song, I made a pretty cool sound of a hacked up Yo-yo-yo-yo and then the sound of a toy pipe. For graphics and animation, I wanted to do something special. Something similar to an American flag, no colors and surprise people with some 3D.
I started sketching up this flag over the character in the chair, when it looked cool enough I then copied the vector graphics to a new file, exported it to Illustrator (ai) then opened Cinema 4D and imported the Illustrator file. I created a camera (don’t worry I will explain how I did this in a tutorial) that I moved into position so that the camera would be in the same position as the scene in Flash, with the graphics in the right place. I then started working on making the graphics longer and more complex, outside of the cameras angle. At the other end, I formed them so they would shape around the next picture. Then I moved and keyframed the camera so it would move away from the first position, fly through the lines and stop at a new position.

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Export to Flash, import in Flash, then start working on the details. It didn’t look or feel good directly, had to work on each frame. It’s better to export many many frames from Cinema 4D, than too few. The image didn’t fit correctly with the 3D transition, so I had to make some form of solution, I made a red ball to I changed frame by frame to look more like the naked parts of the model picture. Added some numbers, to distract the viewer, making people think it’s more complex than it really is, soon I had something that looked good. To be continued.

The Scribble/Scale Transition
The next transition was also simply improvised. I previously added a strange sound to the music, that I could sync animation to. Scaled the first picture down, with tempo of the scribble sound and scaled the new one up. This wasn’t made in Flash 8, where you can make very smooth image scales. To get motion blur on the images I had to create the blur in Photoshop and import to Flash. Or make a ‚Äúfake‚Äù motion blur, by outlining and alpha. See the following pictures. It doesn’t look very good as image, it’s first when you view the animation it looks good. This was made with trial and error, try and correct, try and correct.

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To add to the animation, I used my Wacom drawing board (which is one of the greatest tools for me, I feel a bit handicapped with only a mouse) to draw scribble sketches over the image that was going out of the context. There is a tool in the timeline of Flash, called Onion Skin, it allows you to see the previous graphics as outlines or fades, at previous or next keyframes. This is great, when you make frame by frame sketch animation, cause then you can get a feeling on how to animate, where you where before, where you are going.

One of the advantages of using a Wacom board, besides pen precision, is that in Flash (and many other softwares) you can have pressure sensitivity. If you push the pen harder against the tablet, the brush will get thicker. You can get an ink like feeling to your Flash animations.

Zip-up

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This is my favorite transition. The zipper. Obviously, the graphics to the zipper sound should involve a zipper. I got the graphics from my colleague Andreas Lindholm. The sound of a drop was also included. I like red and I like rings and round circles, so that’s what it happened.

The zipper was animated in 3D, Cinema 4D. The Illustrator file was imported, then easily transformed to 3D. All that was needed, a rotate turn, change of axis, position move and two Bend Objects on each side. Camera rotate.
In Flash, rotate and scale down. Scale in the next scene.

Girl, I gotta do what I gotta do
Used the same graphics for this zip-up neck, but reversed the keyframes. From here it’s frame by frame, sync to music, outlining, kind of work. The client was going on about timing, time to wrap it up and I just worked through it.

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One small cool thing is, the transition from the Zip-up Jacket scene and the Hand Bag. Again, I used a zipper, this time as a controller of the fade in/fade out to the next picture.
Then added red graphic to sync with the guitar in the R’n'B song. Got them from doing the zipper 3D graphics.

It’s Not Just a Label, It’s a Life Style
Ending with a slogan, logo and Diddy himself. Ghostface voice over. What I’m probably most proud of is my scratching in this ending. The Sean John handwritten logo is sketched up, with the deleting/moving forward then reverse keyframes technique, described earlier.

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The Equalizer animation was created in After Effects and Flash. I made keyframes out of Ghostface’s wav file, and together with After Effects particle generator filter, I created those lines.
This would be a tutorial on it’s own. It’s not very difficult, but it’s time consuming.
When I had the waves in After Effects, there was no Flash export on particles. So I had to convert each bitmap to vector inside Flash. Then work on them a little more. When scratched, I painted out lines with my Wacom board, with the Onion Skin technique. Added some numbers, to make it look more advanced than it really is… Finished.

The intro was accepted without having to do any changes to it. Music, scratching, photos, animation, graphics, no changes. There was some talk about adding images of Sean John’s kids collections, but it felt like overkill. Hope you enjoyed this walk through. /Fake

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One Comment

  1. Posted November 18, 2008 at 9:36 pm | Permalink

    Damn man, the Intro is killing man, all 3 of ‘em. big respect to ya man, have never seen sumtin amazing like this before yo. We need ppl like you to create banners n shit man. holla

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